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The contested space of the aesthetic realm in the 17th century church of England

Anne-Françoise Morel UGent (2013) GEMCA PAPERS IN PROGRESS. 2(1). p.110-135
Please use this url to cite or link to this publication:
author
organization
year
type
journalArticle (original)
publication status
published
subject
keyword
architecture, England, 17th-century
journal title
GEMCA PAPERS IN PROGRESS
editor
Nathalie Hancisse and Maxime Perret
volume
2
issue
1
pages
110 - 135
publisher
GEMCA
language
English
UGent publication?
yes
classification
A4
copyright statement
I have retained and own the full copyright for this publication
id
4298345
handle
http://hdl.handle.net/1854/LU-4298345
date created
2014-02-21 13:45:48
date last changed
2016-12-19 15:39:41
@article{4298345,
  author       = {Morel, Anne-Fran\c{c}oise},
  editor       = {Hancisse, Nathalie and Perret, Maxime},
  journal      = {GEMCA PAPERS IN PROGRESS},
  keyword      = {architecture,England,17th-century},
  language     = {eng},
  number       = {1},
  pages        = {110--135},
  publisher    = {GEMCA},
  title        = {The contested space of the aesthetic realm in the 17th century church of England},
  volume       = {2},
  year         = {2013},
}

Chicago
Morel, Anne-Françoise. 2013. “The Contested Space of the Aesthetic Realm in the 17th Century Church of England.” Ed. Nathalie Hancisse and Maxime Perret. Gemca Papers in Progress 2 (1): 110–135.
APA
Morel, A.-F. (2013). The contested space of the aesthetic realm in the 17th century church of England. (N. Hancisse & M. Perret, Eds.)GEMCA PAPERS IN PROGRESS, 2(1), 110–135.
Vancouver
1.
Morel A-F. The contested space of the aesthetic realm in the 17th century church of England. Hancisse N, Perret M, editors. GEMCA PAPERS IN PROGRESS. GEMCA; 2013;2(1):110–35.
MLA
Morel, Anne-Françoise. “The Contested Space of the Aesthetic Realm in the 17th Century Church of England.” Ed. Nathalie Hancisse & Maxime Perret. GEMCA PAPERS IN PROGRESS 2.1 (2013): 110–135. Print.