Advanced search
1 file | 289.40 KB

'Intermediality' as an aesthetic program: Gustav Mahler's Lieder eines fahrenden Gesellen as a post-romantic response to Wilhelm Müller's Winterreise and Die schöne Müllerin

Tobias Hermans (UGent)
Author
Organization
Keywords
intermediality, Mahler, reception of Volkston lyricism, post-romanticism, topical isolation, Lied

Downloads

  • (...).pdf
    • full text
    • |
    • UGent only
    • |
    • PDF
    • |
    • 289.40 KB

Citation

Please use this url to cite or link to this publication:

Chicago
Hermans, Tobias. 2015. “‘Intermediality’ as an Aesthetic Program: Gustav Mahler’s Lieder Eines Fahrenden Gesellen as a Post-romantic Response to Wilhelm Müller's Winterreise and Die Schöne Müllerin.” In Afterlives of Romantic Intermediality : the Intersection of Visual, Aural, and Verbal Frontiers, ed. Leena Eilittä and Catherine Riccio-Berry, 183–204. Lanham, UK: Lexington Books. Rowman & Littlefield.
APA
Hermans, Tobias. (2015). “Intermediality” as an aesthetic program: Gustav Mahler’s Lieder eines fahrenden Gesellen as a post-romantic response to Wilhelm Müller's Winterreise and Die schöne Müllerin. In L. Eilittä & C. Riccio-Berry (Eds.), Afterlives of romantic intermediality : the intersection of visual, aural, and verbal frontiers (pp. 183–204). Lanham, UK: Lexington Books. Rowman & Littlefield.
Vancouver
1.
Hermans T. “Intermediality” as an aesthetic program: Gustav Mahler’s Lieder eines fahrenden Gesellen as a post-romantic response to Wilhelm Müller's Winterreise and Die schöne Müllerin. In: Eilittä L, Riccio-Berry C, editors. Afterlives of romantic intermediality : the intersection of visual, aural, and verbal frontiers. Lanham, UK: Lexington Books. Rowman & Littlefield; 2015. p. 183–204.
MLA
Hermans, Tobias. “‘Intermediality’ as an Aesthetic Program: Gustav Mahler’s Lieder Eines Fahrenden Gesellen as a Post-romantic Response to Wilhelm Müller's Winterreise and Die Schöne Müllerin.” Afterlives of Romantic Intermediality : the Intersection of Visual, Aural, and Verbal Frontiers. Ed. Leena Eilittä & Catherine Riccio-Berry. Lanham, UK: Lexington Books. Rowman & Littlefield, 2015. 183–204. Print.
@incollection{3152892,
  author       = {Hermans, Tobias},
  booktitle    = {Afterlives of romantic intermediality : the intersection of visual, aural, and verbal frontiers},
  editor       = {Eilitt{\"a}, Leena and Riccio-Berry, Catherine},
  isbn         = {9781498527996},
  keyword      = {intermediality,Mahler,reception of Volkston lyricism,post-romanticism,topical isolation,Lied},
  language     = {eng},
  pages        = {183--204},
  publisher    = {Lexington Books. Rowman \& Littlefield},
  title        = {'Intermediality' as an aesthetic program: Gustav Mahler's Lieder eines fahrenden Gesellen as a post-romantic response to Wilhelm M{\"u}ller's Winterreise and Die sch{\"o}ne M{\"u}llerin},
  year         = {2015},
}