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The 1996 architecture biennale: the unfulfilled promise of Hans Hollein's exhibition concept

Maarten Liefooghe UGent (2012) OASE (DELFT). p.54-60
abstract
Despite its faint historical afterimage and its mystifying rhetoric about the individual architect as seismograph, the Venice architecture biennale of 1996 is worth reconsidering. This article argues that the exhibition's premise that architecture culture is marked by a growing individualisation remains relevant. It evaluates the no less problematic translation of this sharp observation into concrete decisions concerning the selection and presentation of 'individual positions' in this biennale.
Please use this url to cite or link to this publication:
author
organization
alternative title
De architectuurbiënnale van 1996 : de niet ingeloste belofte van Hans Holleins tentoonstellingsconcept
year
type
journalArticle (original)
publication status
published
subject
keyword
architectuurbiënnale Venetië, Hans Hollein, tentoonstelling, auteurschap
journal title
OASE (DELFT)
Oase (Delft)
editor
Véronique Patteeuw, Tom Vandeputte and Christophe Van Gerrewey UGent
issue
88
issue title
Exhibition: Showing and Producing Architecture / Tentoonstellingen: Architectuur tonen en produceren
pages
54 - 60
ISSN
0169-6238
language
English
UGent publication?
yes
classification
A2
copyright statement
I have transferred the copyright for this publication to the publisher
VABB id
c:vabb:337204
VABB type
VABB-1
id
3030263
handle
http://hdl.handle.net/1854/LU-3030263
date created
2012-10-17 10:47:02
date last changed
2015-06-17 10:17:03
@article{3030263,
  abstract     = {Despite its faint historical afterimage and its mystifying rhetoric about the individual architect as seismograph, the Venice architecture biennale of 1996 is worth reconsidering. This article argues that the exhibition's premise that architecture culture is marked by a growing individualisation remains relevant. It evaluates the no less problematic translation of this sharp observation into concrete decisions concerning the selection and presentation of 'individual positions' in this biennale.},
  author       = {Liefooghe, Maarten},
  editor       = {Patteeuw, V{\'e}ronique and Vandeputte, Tom and Van Gerrewey, Christophe},
  issn         = {0169-6238},
  journal      = {OASE (DELFT)},
  keyword      = {architectuurbi{\"e}nnale Veneti{\"e},Hans Hollein,tentoonstelling,auteurschap},
  language     = {eng},
  number       = {88},
  pages        = {54--60},
  title        = {The 1996 architecture biennale: the unfulfilled promise of Hans Hollein's exhibition concept},
  year         = {2012},
}

Chicago
Liefooghe, Maarten. 2012. “The 1996 Architecture Biennale: The Unfulfilled Promise of Hans Hollein’s Exhibition Concept.” Ed. Véronique Patteeuw, Tom Vandeputte, and Christophe Van Gerrewey. Oase (delft) (88): 54–60.
APA
Liefooghe, M. (2012). The 1996 architecture biennale: the unfulfilled promise of Hans Hollein’s exhibition concept. (V. Patteeuw, T. Vandeputte, & C. Van Gerrewey, Eds.)OASE (DELFT), (88), 54–60.
Vancouver
1.
Liefooghe M. The 1996 architecture biennale: the unfulfilled promise of Hans Hollein’s exhibition concept. Patteeuw V, Vandeputte T, Van Gerrewey C, editors. OASE (DELFT). 2012;(88):54–60.
MLA
Liefooghe, Maarten. “The 1996 Architecture Biennale: The Unfulfilled Promise of Hans Hollein’s Exhibition Concept.” Ed. Véronique Patteeuw, Tom Vandeputte, & Christophe Van Gerrewey. OASE (DELFT) 88 (2012): 54–60. Print.