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Assessing a clarinet player's performer gestures in relation to locally intended musical targets

Frank Desmet UGent, Luc Nijs UGent, Michiel Demey UGent, Micheline Lesaffre UGent, Jean-Pierre Martens UGent and Marc Leman UGent (2012) JOURNAL OF NEW MUSIC RESEARCH. 41(1). p.31-48
abstract
Musicianship is known to display high-level skills, which involve different aspects of mental processing and corporeal control. Of particular interest is the match between the musician's mental focus on musical targets (the so-called musical intentions) and the expressive (or so-called auxiliary) body movements. To what extent are these related to each other? And what does this relationship reveal about mind–body connections? To approach these questions, a case study was set up around a clarinet solo performance played from score, covering a style of music unfamiliar to the player. The clarinetist's movements were recorded with an optical movement tracking system. A statistical analysis method was developed, to account for movement data in relation to the potential musical intentions and targets. The bottom-up movement analysis method was validated with the performer's annotations of targets in the musical score and the performer's annotations of communicative/sound facilitating gestures in the performance video. The results reveal that the mental focus on musical targets is related to bodily expression. This finding supports the idea of an embodied model of musical syntax processing, which is strongly related to corporeal gestures.
Please use this url to cite or link to this publication:
author
organization
year
type
journalArticle (original)
publication status
published
subject
keyword
BODY MOVEMENTS, PIANO, EXPRESSIVENESS, PERCEPTION, SYSTEMS
journal title
JOURNAL OF NEW MUSIC RESEARCH
J. New Music Res.
volume
41
issue
1
issue title
Performance Monitoring and Data Analysis
pages
31 - 48
Web of Science type
Article
Web of Science id
000305326400004
JCR category
COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
JCR impact factor
0.446 (2012)
JCR rank
89/99 (2012)
JCR quartile
4 (2012)
ISSN
0929-8215
DOI
10.1080/09298215.2011.649769
language
English
UGent publication?
yes
classification
A1
copyright statement
I have transferred the copyright for this publication to the publisher
id
2092886
handle
http://hdl.handle.net/1854/LU-2092886
date created
2012-04-23 16:06:26
date last changed
2015-06-17 10:01:32
@article{2092886,
  abstract     = {Musicianship is known to display high-level skills, which involve different aspects of mental processing and corporeal control. Of particular interest is the match between the musician's mental focus on musical targets (the so-called musical intentions) and the expressive (or so-called auxiliary) body movements. To what extent are these related to each other? And what does this relationship reveal about mind--body connections? To approach these questions, a case study was set up around a clarinet solo performance played from score, covering a style of music unfamiliar to the player. The clarinetist's movements were recorded with an optical movement tracking system. A statistical analysis method was developed, to account for movement data in relation to the potential musical intentions and targets. The bottom-up movement analysis method was validated with the performer's annotations of targets in the musical score and the performer's annotations of communicative/sound facilitating gestures in the performance video. The results reveal that the mental focus on musical targets is related to bodily expression. This finding supports the idea of an embodied model of musical syntax processing, which is strongly related to corporeal gestures.},
  author       = {Desmet, Frank and Nijs, Luc and Demey, Michiel and Lesaffre, Micheline and Martens, Jean-Pierre and Leman, Marc},
  issn         = {0929-8215},
  journal      = {JOURNAL OF NEW MUSIC RESEARCH},
  keyword      = {BODY MOVEMENTS,PIANO,EXPRESSIVENESS,PERCEPTION,SYSTEMS},
  language     = {eng},
  number       = {1},
  pages        = {31--48},
  title        = {Assessing a clarinet player's performer gestures in relation to locally intended musical targets},
  url          = {http://dx.doi.org/10.1080/09298215.2011.649769},
  volume       = {41},
  year         = {2012},
}

Chicago
Desmet, Frank, Luc Nijs, Michiel Demey, Micheline Lesaffre, Jean-Pierre Martens, and Marc Leman. 2012. “Assessing a Clarinet Player’s Performer Gestures in Relation to Locally Intended Musical Targets.” Journal of New Music Research 41 (1): 31–48.
APA
Desmet, Frank, Nijs, L., Demey, M., Lesaffre, M., Martens, J.-P., & Leman, M. (2012). Assessing a clarinet player’s performer gestures in relation to locally intended musical targets. JOURNAL OF NEW MUSIC RESEARCH, 41(1), 31–48.
Vancouver
1.
Desmet F, Nijs L, Demey M, Lesaffre M, Martens J-P, Leman M. Assessing a clarinet player’s performer gestures in relation to locally intended musical targets. JOURNAL OF NEW MUSIC RESEARCH. 2012;41(1):31–48.
MLA
Desmet, Frank, Luc Nijs, Michiel Demey, et al. “Assessing a Clarinet Player’s Performer Gestures in Relation to Locally Intended Musical Targets.” JOURNAL OF NEW MUSIC RESEARCH 41.1 (2012): 31–48. Print.