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An embodied music cognition approach to multilevel interactive sonification

Nuno Correia Da Silva Diniz (UGent) , Pieter Coussement (UGent) , Alexander Deweppe (UGent) , Michiel Demey (UGent) and Marc Leman (UGent)
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Abstract
In this paper, a new conceptual framework and related implementation for interactive sonification is introduced. The conceptual framework consists of a combination of three components, namely, gestalt-based electroacoustic composition techniques (sound), user and body-centered spatial exploration (body), and corporeal mediation technology (tools), which are brought together within an existing paradigm of embodied music cognition. The implementation of the conceptual framework is based on an iterative process that involves the development of several use cases. Through this methodology, it is possible to investigate new approaches for structuring and to interactively explore multivariable data through sound.
Keywords
Sonification, Interaction, Embodiment, Electroacoustic, Framework, IPEMapplication

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Chicago
Correia Da Silva Diniz, Nuno, Pieter Coussement, Alexander Deweppe, Michiel Demey, and Marc Leman. 2012. “An Embodied Music Cognition Approach to Multilevel Interactive Sonification.” Journal on Multimodal User Interfaces 5 (3-4): 211–219.
APA
Correia Da Silva Diniz, N., Coussement, P., Deweppe, A., Demey, M., & Leman, M. (2012). An embodied music cognition approach to multilevel interactive sonification. JOURNAL ON MULTIMODAL USER INTERFACES, 5(3-4), 211–219.
Vancouver
1.
Correia Da Silva Diniz N, Coussement P, Deweppe A, Demey M, Leman M. An embodied music cognition approach to multilevel interactive sonification. JOURNAL ON MULTIMODAL USER INTERFACES. 2012;5(3-4):211–9.
MLA
Correia Da Silva Diniz, Nuno, Pieter Coussement, Alexander Deweppe, et al. “An Embodied Music Cognition Approach to Multilevel Interactive Sonification.” JOURNAL ON MULTIMODAL USER INTERFACES 5.3-4 (2012): 211–219. Print.
@article{2045034,
  abstract     = {In this paper, a new conceptual framework and related implementation for interactive sonification is introduced. The conceptual framework consists of a combination of three components, namely, gestalt-based electroacoustic composition techniques (sound), user and body-centered spatial exploration (body), and corporeal mediation technology (tools), which are brought together within an existing paradigm of embodied music cognition. The implementation of the conceptual framework is based on an iterative process that involves the development of several use cases. Through this methodology, it is possible to investigate new approaches for structuring and to interactively explore multivariable data through sound.},
  author       = {Correia Da Silva Diniz, Nuno and Coussement, Pieter and Deweppe, Alexander and Demey, Michiel and Leman, Marc},
  issn         = {1783-7677},
  journal      = {JOURNAL ON MULTIMODAL USER INTERFACES},
  keyword      = {Sonification,Interaction,Embodiment,Electroacoustic,Framework,IPEMapplication},
  language     = {eng},
  number       = {3-4},
  pages        = {211--219},
  title        = {An embodied music cognition approach to multilevel interactive sonification},
  url          = {http://dx.doi.org/10.1007/s12193-011-0084-2},
  volume       = {5},
  year         = {2012},
}

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