Ghent University Academic Bibliography

Advanced

An embodied music cognition approach to multilevel interactive sonification

Nuno Correia Da Silva Diniz UGent, Pieter Coussement UGent, Alexander Deweppe, Michiel Demey and Marc Leman UGent (2012) JOURNAL ON MULTIMODAL USER INTERFACES. 5(3-4). p.211-219
abstract
In this paper, a new conceptual framework and related implementation for interactive sonification is introduced. The conceptual framework consists of a combination of three components, namely, gestalt-based electroacoustic composition techniques (sound), user and body-centered spatial exploration (body), and corporeal mediation technology (tools), which are brought together within an existing paradigm of embodied music cognition. The implementation of the conceptual framework is based on an iterative process that involves the development of several use cases. Through this methodology, it is possible to investigate new approaches for structuring and to interactively explore multivariable data through sound.
Please use this url to cite or link to this publication:
author
organization
year
type
journalArticle (original)
publication status
published
subject
keyword
Sonification, Interaction, Embodiment, Electroacoustic, Framework, IPEMapplication
journal title
JOURNAL ON MULTIMODAL USER INTERFACES
J. Multimodal User Interfaces
volume
5
issue
3-4
pages
211 - 219
Web of Science type
Article
Web of Science id
000309998300012
JCR category
COMPUTER SCIENCE, ARTIFICIAL INTELLIGENCE
JCR impact factor
0.833 (2012)
JCR rank
75/114 (2012)
JCR quartile
3 (2012)
ISSN
1783-7677
DOI
10.1007/s12193-011-0084-2
language
English
UGent publication?
yes
classification
A1
copyright statement
I have transferred the copyright for this publication to the publisher
id
2045034
handle
http://hdl.handle.net/1854/LU-2045034
date created
2012-02-26 18:40:07
date last changed
2016-12-19 15:38:55
@article{2045034,
  abstract     = {In this paper, a new conceptual framework and related implementation for interactive sonification is introduced. The conceptual framework consists of a combination of three components, namely, gestalt-based electroacoustic composition techniques (sound), user and body-centered spatial exploration (body), and corporeal mediation technology (tools), which are brought together within an existing paradigm of embodied music cognition. The implementation of the conceptual framework is based on an iterative process that involves the development of several use cases. Through this methodology, it is possible to investigate new approaches for structuring and to interactively explore multivariable data through sound.},
  author       = {Correia Da Silva Diniz, Nuno and Coussement, Pieter and Deweppe, Alexander and Demey, Michiel and Leman, Marc},
  issn         = {1783-7677},
  journal      = {JOURNAL ON MULTIMODAL USER INTERFACES},
  keyword      = {Sonification,Interaction,Embodiment,Electroacoustic,Framework,IPEMapplication},
  language     = {eng},
  number       = {3-4},
  pages        = {211--219},
  title        = {An embodied music cognition approach to multilevel interactive sonification},
  url          = {http://dx.doi.org/10.1007/s12193-011-0084-2},
  volume       = {5},
  year         = {2012},
}

Chicago
Correia Da Silva Diniz, Nuno, Pieter Coussement, Alexander Deweppe, Michiel Demey, and Marc Leman. 2012. “An Embodied Music Cognition Approach to Multilevel Interactive Sonification.” Journal on Multimodal User Interfaces 5 (3-4): 211–219.
APA
Correia Da Silva Diniz, N., Coussement, P., Deweppe, A., Demey, M., & Leman, M. (2012). An embodied music cognition approach to multilevel interactive sonification. JOURNAL ON MULTIMODAL USER INTERFACES, 5(3-4), 211–219.
Vancouver
1.
Correia Da Silva Diniz N, Coussement P, Deweppe A, Demey M, Leman M. An embodied music cognition approach to multilevel interactive sonification. JOURNAL ON MULTIMODAL USER INTERFACES. 2012;5(3-4):211–9.
MLA
Correia Da Silva Diniz, Nuno, Pieter Coussement, Alexander Deweppe, et al. “An Embodied Music Cognition Approach to Multilevel Interactive Sonification.” JOURNAL ON MULTIMODAL USER INTERFACES 5.3-4 (2012): 211–219. Print.