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De taal schettert en schreeuwt in de Grauwzone: taal- en maatschappijkritiek in het werk van J.M.H. Berckmans

Hans Demeyer UGent (2011) SPIEGEL DER LETTEREN. 53(4). p.493-522
abstract
This article investigates the literary work of J.M.H. Berckmans from the viewpoint of the philosophy of Gilles Deleuze, who correlates marginality and madness with an ethical literary creation that breaks through les mots d’ordre and representative thinking. Berckmans’ Grauwzone is the marginal biotope used to record daily life. Its description is not mimetic, but expresses an existential fear and forms a critique of society and language. Berckmans’ linguistic experiments increasingly look like jazz-improvisations. Stylistically, his work evolves from bop (Bericht uit Klein Konstantinopel) to free jazz (Ontbijt in het vilbeluik; Slecht nieuws voor Doctor Paf de Pierennaaier, Pandemonium in de Grauwzone).
Please use this url to cite or link to this publication:
author
organization
alternative title
Language and schettert in the Gray zone : language and society of criticism at work J.M.H. Berckmans
year
type
journalArticle (original)
publication status
published
subject
journal title
SPIEGEL DER LETTEREN
Spieg. Lett.
volume
53
issue
4
pages
493 - 522
Web of Science type
Article
Web of Science id
000298340900004
ISSN
0038-7479
language
Dutch
UGent publication?
yes
classification
A1
copyright statement
I have transferred the copyright for this publication to the publisher
id
2038873
handle
http://hdl.handle.net/1854/LU-2038873
date created
2012-02-21 11:46:46
date last changed
2015-06-17 09:57:45
@article{2038873,
  abstract     = {This article investigates the literary work of J.M.H. Berckmans from the viewpoint of the philosophy of Gilles Deleuze, who correlates marginality and madness with an ethical literary creation that breaks through les mots d{\textquoteright}ordre and representative thinking. Berckmans{\textquoteright} Grauwzone is the marginal biotope used to record daily life. Its description is not mimetic, but expresses an existential fear and forms a critique of society and language. Berckmans{\textquoteright} linguistic experiments increasingly look like jazz-improvisations. Stylistically, his work evolves from bop (Bericht uit Klein Konstantinopel) to free jazz (Ontbijt in het vilbeluik; Slecht nieuws voor Doctor Paf de Pierennaaier, Pandemonium in de Grauwzone).},
  author       = {Demeyer, Hans},
  issn         = {0038-7479},
  journal      = {SPIEGEL DER LETTEREN},
  language     = {dut},
  number       = {4},
  pages        = {493--522},
  title        = {De taal schettert en schreeuwt in de Grauwzone: taal- en maatschappijkritiek in het werk van J.M.H. Berckmans},
  volume       = {53},
  year         = {2011},
}

Chicago
Demeyer, Hans. 2011. “De Taal Schettert En Schreeuwt in De Grauwzone: Taal- En Maatschappijkritiek in Het Werk Van J.M.H. Berckmans.” Spiegel Der Letteren 53 (4): 493–522.
APA
Demeyer, H. (2011). De taal schettert en schreeuwt in de Grauwzone: taal- en maatschappijkritiek in het werk van J.M.H. Berckmans. SPIEGEL DER LETTEREN, 53(4), 493–522.
Vancouver
1.
Demeyer H. De taal schettert en schreeuwt in de Grauwzone: taal- en maatschappijkritiek in het werk van J.M.H. Berckmans. SPIEGEL DER LETTEREN. 2011;53(4):493–522.
MLA
Demeyer, Hans. “De Taal Schettert En Schreeuwt in De Grauwzone: Taal- En Maatschappijkritiek in Het Werk Van J.M.H. Berckmans.” SPIEGEL DER LETTEREN 53.4 (2011): 493–522. Print.