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Van vazen tot naakten: glazen kunstobjecten als resultaat van de samenwerking tussen industrieel Georges Despret en kunstenaar Yvonne Serruys (ca. 1905-1910)

Marjan Sterckx UGent (2013) GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS. 37(2010-2011). p.89-120
abstract
Between c.1905 and 1910 the Franco-Belgian sculptress Yvonne Serruys (Menen, 1873 - Paris, 1953) designed models for some 300 decorative art objects to be executed in glass or glass paste in the factory of Georges Despret (1862-1952) in the northern French town of Jeumont. Although many of these objects have been lost, Serruys is acknowledged as one of the most productive contemporary artists to have collaborated with Despret – one of the pioneers of the pâte de verre process. Her work for Despret – mainly vases, bowls and figurines – was influenced by the Art Nouveau style and greatly in demand during the Belle Epoque. Various pieces quickly found their way into international art glass collections. Nonetheless, few pieces can now be found, many of her designs have not yet been identified as such, and little is yet known of this early part of her work. This paper pays attention to the place of the designs for Despret in Yvonne Serruys’s sculptural oeuvre, the glass paste process and Despret’s glass factory, the collaboration between the industrial Despret and artists of his time, and the characteristics of Serruys’s objects in glass and glass paste.
Please use this url to cite or link to this publication:
author
organization
year
type
journalArticle (original)
publication status
published
subject
keyword
art, glass, sculpture, glasspaste, belle epoque, Japonism, collaboration, decorative arts, signature, woman sculptor, design, industry, art nouveau, glass industry
journal title
GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS
Gentse Bijdr. Inter.
editor
Anna Bergmans UGent
volume
37
issue
2010-2011
pages
89 - 120
publisher
Peeters
ISSN
1780-7212
language
Dutch
UGent publication?
yes
classification
A2
copyright statement
I have transferred the copyright for this publication to the publisher
VABB id
c:vabb:359250
VABB type
VABB-1
id
1223806
handle
http://hdl.handle.net/1854/LU-1223806
date created
2011-05-14 15:55:23
date last changed
2015-06-17 09:34:05
@article{1223806,
  abstract     = {Between c.1905 and 1910 the Franco-Belgian sculptress Yvonne Serruys (Menen, 1873 - Paris, 1953) designed models for some 300 decorative art objects to be executed in glass or glass paste in the factory of Georges Despret (1862-1952) in the northern French town of Jeumont. Although many of these objects have been lost, Serruys is acknowledged as one of the most productive contemporary artists to have collaborated with Despret -- one of the pioneers of the p{\^a}te de verre process. Her work for Despret -- mainly vases, bowls and figurines -- was influenced by the Art Nouveau style and greatly in demand during the Belle Epoque. Various pieces quickly found their way into international art glass collections. Nonetheless, few pieces can now be found, many of her designs have not yet been identified as such, and little is yet known of this early part of her work. This paper pays attention to the place of the designs for Despret in Yvonne Serruys{\textquoteright}s sculptural oeuvre, the glass paste process and Despret{\textquoteright}s glass factory, the collaboration between the industrial Despret and artists of his time, and the characteristics of Serruys{\textquoteright}s objects in glass and glass paste.},
  author       = {Sterckx, Marjan},
  editor       = {Bergmans, Anna},
  issn         = {1780-7212},
  journal      = {GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS},
  keyword      = {art,glass,sculpture,glasspaste,belle epoque,Japonism,collaboration,decorative arts,signature,woman sculptor,design,industry,art nouveau,glass industry},
  language     = {dut},
  number       = {2010-2011},
  pages        = {89--120},
  publisher    = {Peeters},
  title        = {Van vazen tot naakten: glazen kunstobjecten als resultaat van de samenwerking tussen industrieel Georges Despret en kunstenaar Yvonne Serruys (ca. 1905-1910)},
  volume       = {37},
  year         = {2013},
}

Chicago
Sterckx, Marjan. 2013. “Van Vazen Tot Naakten: Glazen Kunstobjecten Als Resultaat Van De Samenwerking Tussen Industrieel Georges Despret En Kunstenaar Yvonne Serruys (ca. 1905-1910).” Ed. Anna Bergmans. Gentse Bijdragen Tot De Interieurgeschiedenis 37 (2010-2011): 89–120.
APA
Sterckx, M. (2013). Van vazen tot naakten: glazen kunstobjecten als resultaat van de samenwerking tussen industrieel Georges Despret en kunstenaar Yvonne Serruys (ca. 1905-1910). (Anna Bergmans, Ed.)GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS, 37(2010-2011), 89–120.
Vancouver
1.
Sterckx M. Van vazen tot naakten: glazen kunstobjecten als resultaat van de samenwerking tussen industrieel Georges Despret en kunstenaar Yvonne Serruys (ca. 1905-1910). Bergmans A, editor. GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS. Peeters; 2013;37(2010-2011):89–120.
MLA
Sterckx, Marjan. “Van Vazen Tot Naakten: Glazen Kunstobjecten Als Resultaat Van De Samenwerking Tussen Industrieel Georges Despret En Kunstenaar Yvonne Serruys (ca. 1905-1910).” Ed. Anna Bergmans. GENTSE BIJDRAGEN TOT DE INTERIEURGESCHIEDENIS 37.2010-2011 (2013): 89–120. Print.