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Deconstructing the doctrine of disegno

Lionel Devlieger UGent (2005) COLLECTIONS ELECTRONIQUES. Actes de colloques. p.2-8
abstract
The decades between 1540 and 1570 have seen the emergence, in Florence, of the idea that painting, sculpture, and architecture share fundamental characteristics because of their common dependency upon draftsmanship, or disegno. This conviction would have a considerable impact in the following decades and centuries, because of the influence the first public art school (the Florentine Accademia del Disegno, 1563) execised upon the whole academic movement. This article examines the positions held by three theorists who stood at the cradle of the “doctrine of disegno” regarding the position of architecture in the triad of the arts: Benedetto Varchi, Cosimo Bartoli, and Vincenzo Borghini. Regarding the problem of architecture, an important theoretical shift can be assessed. The article offers an explanation for this shift by situating the debate in the context of how, by then, the architectural profession was exerciced.
Please use this url to cite or link to this publication:
author
organization
year
type
conference
publication status
published
subject
keyword
Cosimo Bartoli, Giorgio Vasari, Vincenzio Borghini, Florence, Designo, Architectural Theory, 16th century
in
COLLECTIONS ELECTRONIQUES
Collect. Electron.
editor
Alice Thomine-Berrada and Barry Bergdoll
volume
Actes de colloques
issue title
Repenser les limites : l'architecture à travers l'espace, le temps et les disciplines
article number
1820
pages
2 - 8
publisher
Institut National de l'Histoire de l'Art (INHA)
place of publication
Paris, France
conference name
Repenser les limites : l'architecture à travers l'espace, le temps et les disciplines
conference location
Paris, France
conference start
2005-08-31
conference end
2005-09-04
ISSN
2108-6419
language
English
UGent publication?
yes
classification
C1
copyright statement
I have transferred the copyright for this publication to the publisher
VABB id
c:vabb:302289
VABB type
VABB-5
id
1172558
handle
http://hdl.handle.net/1854/LU-1172558
date created
2011-02-26 11:48:13
date last changed
2017-01-02 09:53:05
@inproceedings{1172558,
  abstract     = {The decades between 1540 and 1570 have seen the emergence, in Florence, of the idea that painting, sculpture, and architecture share fundamental characteristics because of their common dependency upon draftsmanship, or disegno. This conviction would have a considerable impact in the following decades and centuries, because of the influence the first public art school (the Florentine Accademia del Disegno, 1563) execised upon the whole academic movement. This article examines the positions held by three theorists who stood at the cradle of the {\textquotedblleft}doctrine of disegno{\textquotedblright} regarding the position of architecture in the triad of the arts: Benedetto Varchi, Cosimo Bartoli, and Vincenzo Borghini. Regarding the problem of architecture, an important theoretical shift can be assessed. The article offers an explanation for this shift by situating the debate in the context of how, by then, the architectural profession was exerciced.},
  articleno    = {1820},
  author       = {Devlieger, Lionel},
  booktitle    = {COLLECTIONS ELECTRONIQUES},
  editor       = {Thomine-Berrada, Alice and Bergdoll, Barry},
  issn         = {2108-6419},
  keyword      = {Cosimo Bartoli,Giorgio Vasari,Vincenzio Borghini,Florence,Designo,Architectural Theory,16th century},
  language     = {eng},
  location     = {Paris, France},
  pages        = {1820:2--1820:8},
  publisher    = {Institut National de l'Histoire de l'Art (INHA)},
  title        = {Deconstructing the doctrine of disegno},
  volume       = {Actes de colloques},
  year         = {2005},
}

Chicago
Devlieger, Lionel. 2005. “Deconstructing the Doctrine of Disegno.” In Collections Electroniques, ed. Alice Thomine-Berrada and Barry Bergdoll, Actes de colloques:2–8. Paris, France: Institut National de l’Histoire de l'Art (INHA).
APA
Devlieger, Lionel. (2005). Deconstructing the doctrine of disegno. In A. Thomine-Berrada & B. Bergdoll (Eds.), COLLECTIONS ELECTRONIQUES (Vol. Actes de colloques, pp. 2–8). Presented at the Repenser les limites : l’architecture à travers l'espace, le temps et les disciplines, Paris, France: Institut National de l’Histoire de l'Art (INHA).
Vancouver
1.
Devlieger L. Deconstructing the doctrine of disegno. In: Thomine-Berrada A, Bergdoll B, editors. COLLECTIONS ELECTRONIQUES. Paris, France: Institut National de l’Histoire de l'Art (INHA); 2005. p. 2–8.
MLA
Devlieger, Lionel. “Deconstructing the Doctrine of Disegno.” Collections Electroniques. Ed. Alice Thomine-Berrada & Barry Bergdoll. Actes de colloques. Paris, France: Institut National de l’Histoire de l'Art (INHA), 2005. 2–8. Print.