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Indirect flow through passages: Trinh T. Minh-ha’s art practice

An van Dienderen UGent (2010) AFTERALL. p.90-99
abstract
Film-maker An van. Dienderen uses the ideas of the 'interval' and plural authorship to situate Trinh T. Minh-ha's films and books within the many worlds - post-colonial, feminist, independent film, artistic - into which her works cross over.
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author
organization
year
type
journalArticle (original)
publication status
published
subject
keyword
H313-art-criticism
journal title
AFTERALL
After all
issue
23
pages
90 - 99
ISSN
1465-4253
language
English
UGent publication?
yes
classification
A4
copyright statement
I have transferred the copyright for this publication to the publisher
id
1146334
handle
http://hdl.handle.net/1854/LU-1146334
date created
2011-02-11 09:03:38
date last changed
2015-06-17 09:25:19
@article{1146334,
  abstract     = {Film-maker An van. Dienderen uses the ideas of the 'interval' and plural authorship to situate Trinh T. Minh-ha's films and books within the many worlds - post-colonial, feminist, independent film, artistic - into which her works cross over.},
  author       = {van Dienderen, An},
  issn         = {1465-4253},
  journal      = {AFTERALL},
  keyword      = {H313-art-criticism},
  language     = {eng},
  number       = {23},
  pages        = {90--99},
  title        = {Indirect flow through passages: Trinh T. Minh-ha{\textquoteright}s art practice},
  year         = {2010},
}

Chicago
van Dienderen, An. 2010. “Indirect Flow Through Passages: Trinh T. Minh-ha’s Art Practice.” Afterall (23): 90–99.
APA
van Dienderen, An. (2010). Indirect flow through passages: Trinh T. Minh-ha’s art practice. AFTERALL, (23), 90–99.
Vancouver
1.
van Dienderen A. Indirect flow through passages: Trinh T. Minh-ha’s art practice. AFTERALL. 2010;(23):90–9.
MLA
van Dienderen, An. “Indirect Flow Through Passages: Trinh T. Minh-ha’s Art Practice.” AFTERALL 23 (2010): 90–99. Print.