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This working paper presents a multifaceted examination of four innovative impact projects that address the challenge of memorializing the Anthropocene, the new geological epoch characterized by massive human influence on the planet. Authored by four members of the “Transformation of the Environment” working group of the Slow Memory COST Action, it delves into diverse initiatives spanning the realms of art, museum curation, commemoration, and tourism. Each project offers a distinct and unique approach to getting the public to engage with the realities, complexities, and complicities of living in a time of climate and ecological crisis. Stef Craps discusses a climate-themed guided tour of the Museum of Fine Arts Ghent in Belgium that aims to initiate conversations about environmental change among museum visitors by interpreting historical artworks as climate witnesses. Rick Crownshaw proposes a new methodology for exhibiting the Anthropocene that seeks to transform encyclopaedic museum spaces such as the Royal Albert Memorial Museum in Exeter, UK, into platforms for public reflection and education on humanity’s role in shaping planetary systems. Deniz Gündoğan İbrişim explores the Gümüşlük Academy Foundation’s “Garden” in Turkey’s ancient Aegean region, which serves as a nexus for interdisciplinary dialogue on the socio-environmental challenges of the Anthropocene. Finally, Jenny Wüstenberg introduces the MEMO Project’s ambitious endeavour to commemorate extinct species and foster biodiversity awareness through an immersive underground experience at the Eden Portland site on England’s Jurassic Coast, assisted by a mobile app that allows users to engage with this remote site from wherever they find themselves. Together, these projects exemplify a variety of ways to put the Anthropocene on display that, we hope, will inspire other memory scholars and practitioners to develop novel creative practices of engagement with our environmental predicament.

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MLA
Craps, Stef, et al. “Putting the Anthropocene on Display: An Inspiration Guide.” Working Paper 2, WG5 “Transformation of the Environment,” Slow Memory COST Action, 2024.
APA
Craps, S., Crownshaw, R., Gündoğan İbrişim, D., & Wüstenberg, J. (2024). Putting the Anthropocene on Display: An Inspiration Guide.
Chicago author-date
Craps, Stef, Rick Crownshaw, Deniz Gündoğan İbrişim, and Jenny Wüstenberg. 2024. “Putting the Anthropocene on Display: An Inspiration Guide.” Working Paper 2, WG5 “Transformation of the Environment,” Slow Memory COST Action.
Chicago author-date (all authors)
Craps, Stef, Rick Crownshaw, Deniz Gündoğan İbrişim, and Jenny Wüstenberg. 2024. “Putting the Anthropocene on Display: An Inspiration Guide.” Working Paper 2, WG5 “Transformation of the Environment,” Slow Memory COST Action.
Vancouver
1.
Craps S, Crownshaw R, Gündoğan İbrişim D, Wüstenberg J. Putting the Anthropocene on Display: An Inspiration Guide. Working Paper 2, WG5 “Transformation of the Environment,” Slow Memory COST Action. 2024.
IEEE
[1]
S. Craps, R. Crownshaw, D. Gündoğan İbrişim, and J. Wüstenberg, “Putting the Anthropocene on Display: An Inspiration Guide,” Working Paper 2, WG5 “Transformation of the Environment,” Slow Memory COST Action. 2024.
@misc{01HYPC6B722520070ER5HFFTV3,
  abstract     = {{This working paper presents a multifaceted examination of four innovative impact projects that address the challenge of memorializing the Anthropocene, the new geological epoch characterized by massive human influence on the planet. Authored by four members of the “Transformation of the Environment” working group of the Slow Memory COST Action, it delves into diverse initiatives spanning the realms of art, museum curation, commemoration, and tourism. Each project offers a distinct and unique approach to getting the public to engage with the realities, complexities, and complicities of living in a time of climate and ecological crisis.

Stef Craps discusses a climate-themed guided tour of the Museum of Fine Arts Ghent in Belgium that aims to initiate conversations about environmental change among museum visitors by interpreting historical artworks as climate witnesses. Rick Crownshaw proposes a new methodology for exhibiting the Anthropocene that seeks to transform encyclopaedic museum spaces such as the Royal Albert Memorial Museum in Exeter, UK, into platforms for public reflection and education on humanity’s role in shaping planetary systems. Deniz Gündoğan İbrişim explores the Gümüşlük Academy Foundation’s “Garden” in Turkey’s ancient Aegean region, which serves as a nexus for interdisciplinary dialogue on the socio-environmental challenges of the Anthropocene. Finally, Jenny Wüstenberg introduces the MEMO Project’s ambitious endeavour to commemorate extinct species and foster biodiversity awareness through an immersive underground experience at the Eden Portland site on England’s Jurassic Coast, assisted by a mobile app that allows users to engage with this remote site from wherever they find themselves.

Together, these projects exemplify a variety of ways to put the Anthropocene on display that, we hope, will inspire other memory scholars and practitioners to develop novel creative practices of engagement with our environmental predicament.}},
  author       = {{Craps, Stef and Crownshaw, Rick and Gündoğan İbrişim, Deniz and Wüstenberg, Jenny}},
  language     = {{eng}},
  series       = {{Working Paper 2, WG5 "Transformation of the Environment,” Slow Memory COST Action}},
  title        = {{Putting the Anthropocene on Display: An Inspiration Guide}},
  url          = {{https://www.slowmemory.eu/publi/putting-the-anthropocene-on-display/}},
  year         = {{2024}},
}