
Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons : theoretical foundations, validation scenarios, and limitations
- Author
- Aleksandra Michałko (UGent) , Nicola Di Stefano, Adriaan Campo (UGent) and Marc Leman (UGent)
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- Project
- Abstract
- In this perspective paper, we explore the use of haptic feedback to enhance human-human interaction during musical tasks. We start by providing an overview of the theoretical foundation that underpins our approach, which is rooted in the embodied music cognition framework, and by briefly presenting the concepts of action-perception loop, sensorimotor coupling and entrainment. Thereafter, we focus on the role of haptic information in music playing and we discuss the use of wearable technologies, namely lightweight exoskeletons, for the exchange of haptic information between humans. We present two experimental scenarios in which the effectiveness of this technology for enhancing musical interaction and learning might be validated. Finally, we briefly discuss some of the theoretical and pedagogical implications of the use of technologies for haptic communication in musical contexts, while also addressing the potential barriers to the widespread adoption of exoskeletons in such contexts.
- Keywords
- instrumental music training, haptic feedback, collaborative learning, technology mediation, exoskeletons, wearable robotics, human-human interaction (HHI), kinesthetic feedback, PERFORMANCE, PERCEPTION, ENTRAINMENT, ASSISTANCE, BEAT
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Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-01HRJ0T4VN1BBQDRZ3TDT6CSTD
- MLA
- Michałko, Aleksandra, et al. “Enhancing Human-Human Musical Interaction through Kinesthetic Haptic Feedback Using Wearable Exoskeletons : Theoretical Foundations, Validation Scenarios, and Limitations.” FRONTIERS IN PSYCHOLOGY, vol. 15, 2024, doi:10.3389/fpsyg.2024.1327992.
- APA
- Michałko, A., Di Stefano, N., Campo, A., & Leman, M. (2024). Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons : theoretical foundations, validation scenarios, and limitations. FRONTIERS IN PSYCHOLOGY, 15. https://doi.org/10.3389/fpsyg.2024.1327992
- Chicago author-date
- Michałko, Aleksandra, Nicola Di Stefano, Adriaan Campo, and Marc Leman. 2024. “Enhancing Human-Human Musical Interaction through Kinesthetic Haptic Feedback Using Wearable Exoskeletons : Theoretical Foundations, Validation Scenarios, and Limitations.” FRONTIERS IN PSYCHOLOGY 15. https://doi.org/10.3389/fpsyg.2024.1327992.
- Chicago author-date (all authors)
- Michałko, Aleksandra, Nicola Di Stefano, Adriaan Campo, and Marc Leman. 2024. “Enhancing Human-Human Musical Interaction through Kinesthetic Haptic Feedback Using Wearable Exoskeletons : Theoretical Foundations, Validation Scenarios, and Limitations.” FRONTIERS IN PSYCHOLOGY 15. doi:10.3389/fpsyg.2024.1327992.
- Vancouver
- 1.Michałko A, Di Stefano N, Campo A, Leman M. Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons : theoretical foundations, validation scenarios, and limitations. FRONTIERS IN PSYCHOLOGY. 2024;15.
- IEEE
- [1]A. Michałko, N. Di Stefano, A. Campo, and M. Leman, “Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons : theoretical foundations, validation scenarios, and limitations,” FRONTIERS IN PSYCHOLOGY, vol. 15, 2024.
@article{01HRJ0T4VN1BBQDRZ3TDT6CSTD, abstract = {{In this perspective paper, we explore the use of haptic feedback to enhance human-human interaction during musical tasks. We start by providing an overview of the theoretical foundation that underpins our approach, which is rooted in the embodied music cognition framework, and by briefly presenting the concepts of action-perception loop, sensorimotor coupling and entrainment. Thereafter, we focus on the role of haptic information in music playing and we discuss the use of wearable technologies, namely lightweight exoskeletons, for the exchange of haptic information between humans. We present two experimental scenarios in which the effectiveness of this technology for enhancing musical interaction and learning might be validated. Finally, we briefly discuss some of the theoretical and pedagogical implications of the use of technologies for haptic communication in musical contexts, while also addressing the potential barriers to the widespread adoption of exoskeletons in such contexts.}}, articleno = {{1327992}}, author = {{Michałko, Aleksandra and Di Stefano, Nicola and Campo, Adriaan and Leman, Marc}}, issn = {{1664-1078}}, journal = {{FRONTIERS IN PSYCHOLOGY}}, keywords = {{instrumental music training,haptic feedback,collaborative learning,technology mediation,exoskeletons,wearable robotics,human-human interaction (HHI),kinesthetic feedback,PERFORMANCE,PERCEPTION,ENTRAINMENT,ASSISTANCE,BEAT}}, language = {{eng}}, pages = {{8}}, title = {{Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons : theoretical foundations, validation scenarios, and limitations}}, url = {{http://doi.org/10.3389/fpsyg.2024.1327992}}, volume = {{15}}, year = {{2024}}, }
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