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Fashion creation as an embodied practice : of the kimono, patterns and the space in-between

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Abstract
This essay is a development of the lecture “Fashion as an embodied practice: Of Patterns, Bodies and Exhibitions”, given at the University of the Arts Bremen in June 2023, prompting reflection on the underlying themes and theoretical notions about fashion design and the body running through several of the author’s curatorial fashion projects and exhibitions. Therefore, this text will explore these central theoretical notions (the kimono, ma, patterns, self-taught methods, authorship in design and design as language, hybrid practices between analogue and digital) in connection with use cases (designers and exhibitions) from the author’s practice, as an ongoing critical investigation of the discipline of fashion design as seen through the lens of curatorial practice.
Keywords
fashion history, patterns, kimono, digital, analog

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Citation

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MLA
Van Godtsenhoven, Karen. “Fashion Creation as an Embodied Practice : Of the Kimono, Patterns and the Space in-Between.” Materials of Fashion : From Analog Principles to Hybrid Practices, edited by Dorothea Mink, Hochschule für Künste Bremen, 2024.
APA
Van Godtsenhoven, K. (2024). Fashion creation as an embodied practice : of the kimono, patterns and the space in-between (D. Mink, Ed.). Bremen: Hochschule für Künste Bremen.
Chicago author-date
Van Godtsenhoven, Karen. 2024. “Fashion Creation as an Embodied Practice : Of the Kimono, Patterns and the Space in-Between.” Edited by Dorothea Mink. Materials of Fashion : From Analog Principles to Hybrid Practices. Bremen: Hochschule für Künste Bremen.
Chicago author-date (all authors)
Van Godtsenhoven, Karen. 2024. “Fashion Creation as an Embodied Practice : Of the Kimono, Patterns and the Space in-Between.” Ed by. Dorothea Mink. Materials of Fashion : From Analog Principles to Hybrid Practices. Bremen: Hochschule für Künste Bremen.
Vancouver
1.
Van Godtsenhoven K. Fashion creation as an embodied practice : of the kimono, patterns and the space in-between. Mink D, editor. Materials of fashion : from analog principles to hybrid practices. Bremen: Hochschule für Künste Bremen; 2024.
IEEE
[1]
K. Van Godtsenhoven, “Fashion creation as an embodied practice : of the kimono, patterns and the space in-between,” Materials of fashion : from analog principles to hybrid practices. Hochschule für Künste Bremen, Bremen, 2024.
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  abstract     = {{This essay is a development of the lecture “Fashion as an embodied practice: Of Patterns, Bodies and Exhibitions”, given at the University of the Arts Bremen in June 2023, prompting reflection on the underlying themes and theoretical notions about fashion design and the body running through several of the author’s curatorial fashion projects and exhibitions. Therefore, this text will explore these central theoretical notions (the kimono, ma, patterns, self-taught methods, authorship in design and design as language, hybrid practices between analogue and digital) in connection with use cases (designers and exhibitions) from the author’s practice, as an ongoing critical investigation of the discipline of fashion design as seen through the lens of curatorial practice.}},
  author       = {{Van Godtsenhoven, Karen}},
  editor       = {{Mink, Dorothea}},
  keywords     = {{fashion history,patterns,kimono,digital,analog}},
  language     = {{eng}},
  pages        = {{21}},
  publisher    = {{Hochschule für Künste Bremen}},
  series       = {{Materials of fashion : from analog principles to hybrid practices}},
  title        = {{Fashion creation as an embodied practice : of the kimono, patterns and the space in-between}},
  url          = {{https://www.hfk-bremen.de/media/filer_public/a4/6b/a46b1caa-9d9c-433a-85da-4e135fc8e1cd/materialsoffashion_karenvangodtsenhoven.pdf}},
  year         = {{2024}},
}