Project COMICS: Children in Comics: An intercultural history from 1865 to today
2018-10-01 – 2024-03-31
- Abstract
Owing to their visual essence and status as a popular, modern medium, comics - newspaper strips, comics magazines and graphic novels - provide valuable insight into the transformation fo collective consciousness. This project advances the hypothesis that children in comics are distinctive embodiments of the complex experience of modernity, channeling and tempering modern anxieties and incarnating the freedom denied to adults. In testing this hypothesis, the project constructs the first intercultural history of children in European comics, tracing the changing conceptualizations of child protagonists in popular comics for both children and adults from the mid-19th century to the present. In doing so, it takes key points in European history as well as the history of comics into account. Assembling a team of six multilingual researchers, the project uses an intersiciplinary methodology combining comics studies and childhood studies while also incorporating specific insights from cultural studies (history of family life, history of public life, history of the body, affect theory and scholarship on the carnivalesque). This enables the project to analyze the transposition of modern anxieties, conceptualizations of childishness, child-adult power relations, notions of liberty, visualizations of the body, family life, school and public life as well as the presence of affects such as nostalgia and happiness in comics starring children. The project thus opens up a new field of research lying at the intersection of comics studies and childhood studies and illustrates its potential. In studying popular but often overlooked comics, the project provides crucial historical and analytical material that will shape future comics criticism and the fields associated with childhood studies. Furthermore, the project's outreach activities will increase collective knowledge about comic strips, which form an important, increasingly visible part of cultural heritage.
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Domesticating American serial characters in European children’s comics magazines : the case of Corriere dei Piccoli in the 1910s
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Sterker dan Lord of the Flies: carnavaleske omkering in Jef Nys’ favoriete Jommekealbum [gesprek met Maaheen Ahmed over 'Kinderen baas']
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De ideale schildknaap
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Écouter la bande dessinée
(2024) -
La bande dessinée à voix haute : introduction
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Zelfs Griekenland staat in 'den boek' : over Willy Linthouts ultieme Vlaamse familiestrip
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- Journal Article
- A2
- open access
Comics strike back! Digital forms, digital practices, digital audiences
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- Book
- open access
From private to public : Alain Van Passen's collection at Ghent University (translated by M. Ahmed, B. Crucifix and G. Busi Rizzi)
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Outwitting the Flemish past : Willy Vandersteen’s dealing with Brabant underdogs in Suske en Wiske’s ‘Het Spaanse spook’ (1948-1950)
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Ukus slobodu : sastanak u okviru projekta 'CAN FOR BALKANS' u Leskovcu, Srbija (trans. Bratislav Zdravković) = A taste of freedom : the 'CAN FOR BALKANS' meeting in Leskovac, Serbia