Project: Archaeometrical Study of the ghent altarpiece
2013-01-01 – 2018-10-31
- Abstract
The Ghent Altarpiece, painted by Jan and Hubert Van Eyck (1432) will be examined from a technical point of view. The investigations Support the restoration campaign, but will also lead to new insights about the creation of the work. Binding media, varnishes and pigments are studied with gasschromatography – mass-spectrometry, Raman spectroscopy, X-ray fluorescence, total-reflection x-ray fluorescence, X-ray diffraction and a multispectral camera is used for image analysis.
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Epilogue : implications and perspectives
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Introduction
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Image processing for research on the "Ghent altarpiece"
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Discussion : ein Forschungskontroverse ohne absehbares Ende
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- Conference Paper
- C1
- open access
Spectaculaire ontdekkingen op het Lam Gods van de gebroeders Van Eyck : de essentiële rol van de restaurateur = Découvertes spectaculaires sur l’agneau mystique des frères Van Eyck : le role essential du restaurateur