prof. dr. Francis Maes
- ORCID iD
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0000-0003-0442-2748
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- Journal Article
- A2
- open access
Tchaikovsky, Onegin, and the art of characterization
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The Queen of Spades : a Tale of an Obsession, and Much More?
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Festival van Vlaanderen
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Simon Banks, Opera : the autobiography of the Western World
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Een verhaal van net niet : een baanbrekende interpretatie van Tsjaikovski's opera Jevgeni Onegin
(2023) -
Where does Bartók fit into twentieth-century music? Thoughts on the tension between Bartók's music and historiographical concerns
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- Journal Article
- A1
- open access
Where have all the women gone? On the absence of feminine agency in contemporary productions of the original Boris Godunov
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Chandler Carter, The Last Opera : The Rake's Progress in the Life of Stravinsky and Sung Drama
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Alain Platel's quest for embodied salvation : a musical perspective on C(H)OEURS
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Was er leven voor de kunst in het grote bureaucratische spel? De Sovjetmuziek tussen vrijheid, repressie en officiële idealen.