dr. Adriana Parente La Selva
- ORCID iD
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0000-0002-8524-5327
- Bio (via ORCID)
- Adriana La Selva is a theatre-maker, a performer, a networker and a researcher. She is currently a fellow FWO researcher with the project Practicing Odin Teatret’s Archives at S:PAM (Studies in Performance and Media- Ghent University) - in association with IPEM (Institute for Psychoacoustics and Electronic Music), Utrecht University, Manchester Metropolitan University and Aalborg University. She concluded her Master’s degree in Contemporary Arts, at the University of Lancaster, UK, on Deleuze and Guattari’s notion of becoming in relation to physical theatre. She is member of the international theatre group The Bridge of Winds, led by Odin Teatret actress Iben Nagel Rasmussen. Adriana co-founded Cross Pollination, an international network of performers and researchers, which focuses on dialogues in-between practices and tactics for embodied knowledge building.
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Sweating the archive : virtual translations of embodied knowledge in performance training
(2025) -
- Journal Article
- A2
- open access
Sweaty archives : training the writing of bodies in virtual spaces
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Archi-textures of access : virtual translations of embodied knowledge in theatre training
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- Journal Article
- A2
- open access
Arquivos suados : treinando a escrita de corpos no espaço virtual
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- Journal Article
- A2
- open access
'Dog Boy, media whore. It's who the hell you take me for' : a persona construída de Brian Molko em revistas musicais no arquivo de fãs
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- Journal Article
- A2
- open access
Entangling designer, system and participant : an interdisciplinary methodological account for reimagining embodied knowledge in VR
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- Journal Article
- A2
- open access
Assemblages of presence : ritual, gesture, and technologies in embodied archives
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- Miscellaneous
- open access
Algo-Ritmos : novas fronteiras na documentação performativa
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- Issue Editor
- open access
Parliament of practices
Adriana Parente La Selva (UGent) and Patrick Campbell -
- Journal Article
- A2
- open access
Transforming the past into presence : in dialogue with Eugenio Barba and Julia Varley