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- 2016
- Eighteenth-century literary ephemera
- Funeral invitations, elegies, and the ephemeral cultures of mourning
- 2015
- Ballads, chapbooks and the redaction/transformation of 'literature'
- Thomson, Macpherson, Ramsay, and the Making and Marketing of Illustrated Scottish Literary Editions in the 1790s
- Eighteenth-Century British Book Illlustration
- Illustrated Glasgow Editions of Robert Burns’s Poems, 1800–1802
- Literature and book history
- Scottish Canon Formation through Annotation, or, from Ramsay to Burns: Making Sense of the Paratextual Apparatuses of the Morisons' Patriotic Editions of Literary Classics
- 2014
- James Thomson: Oxford bibliography online
- James Morison: Book illustration and the poems of Robert Burns (1812)
- William Shenstone's poetry, the leasowes, and the intermediality of reading and architectural design
- William Blake, the Chapbook, and the Meaning and Associations of Format
- The Morisons of Perth, Peter Hill of Edinburgh, and the networks of Anglo-Scottish book production in the 1780s and 1790s
- Margaret Cavendish and cultural self-fashioning
- Currer Bell, Charlotte Brontë and the construction of authorial identity
- Humphry Repton's 'The bee' and Boydell's Shakespeare gallery
- James Thomson
- 'A Scotch poetical library': James Thomson, the Morisons of Perth and the Construction of an enlightenment Scottish poetic canon
- Thomas Stothard and the royal engagement pocket atlas: the illustration of literature, the making of the canon, and ephemerality
- William Collins: Oxford Bibliography Online
- 2013
- Introduction
- Packaging, design and colour: from fine-printed to small-format editions of Thomson's the seasons, 1793–1802
- The canon and canon formation in the eighteenth century
- Scotland in eighteenth-century literature
- Editor's Note
- Introduction
- Illustrations of Burns's poems
- James Thomson's 'The seasons', print culture, and visual interpretation, 1730-1842
- Design, media, and the reading of Thomson's 'The Seasons'
- Image-making in James Thomson's the seasons
- Illustrated pocket diaries and the commodification of culture
- The Ode
- Enlightenment cultural patriotism, print culture, and poetry in Scotland, 1720-1793
- 2012
- The illustrated pocket diary-cum-almanac: generic continuity and innovation, 1820-1840
- Eighteenth-century poetry
- Mediating form, forming media: the production of culture, genre, and textuality in eighteenth-century literature
- A possible source for Thomson's 'Damon and Musidora'
- Print culture and visual interpretation in eighteenth-century German editions of Thomson's the seasons
- William Beckford's EPISODES OF VATHEK and the architecture of identity
- Print culture, marketing and Thomas Stothard's illustrations for the royal engagement pocket atlas
- Inscribing memory: elegies to the Rev. Joseph Foord
- 2011
- Print culture, high-cultural consumption, and Thomson's the seasons, 1780-1797
- Sarah Pearson (1768-1833): a sheffied poet
- Margaret Cavendish's body of knowledge
- Experiments in genre in eighteenth-century literature
- The eighteenth-century novel
- Knowledge economies in Agnes Grey
- Inventing the long poem
- The politics of improvement in Thomas Holcroft's Anna St. Ives
- John Ragsdale and William Collins Once Again
- The architectural design of Beckford's Vathek
- William Hymers and the editing of William Collins’s poems, 1765–1797
- The eighteenth century: the novel
- Margaret Cavendish's mythopoetics: by way of introduction
- The visual 'life' of James Thomson's 'the seasons', 1730-c.1800
- Early eighteenth-century Scottish funeral elegies, memorialization, and the ephemeral
- Thomson's the seasons and the tragic-sentimental verse tale, 1728-1764
- Thomas Stothard's illustration for the royal engagement pocket Atlas, 1779-1826
- 2010
- Curiosity, surveillance and detection in Charlotte Bronte's villette
- Sensibility, the servant and comedy in Radcliffe’s The mysteries of Udolpho
- Elizabeth Gaskell: Victorian culture, and the art of fiction: essays for the bicentenary
- Painterly 'readings' of The Seasons, 1766-1829
- Margaret Connor, ‘The Three Dr Clarksons: A Brontë Link’, Studies in Hogg and His World, 17 (2006), pp. 131–38
- Visual interpretations, print, and illustrations of Thomson's the seasons, 1730-1797
- Liminal femininity in Gaskell's Mary Barton and wives and daughters
- 'Villette' in context
- David Fairer, Organising Poetry: The Coleridge Circle, 1790-1798 (OUP, 2009)
- Steve Newman, Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism. Philadelphia: Pennsylvania, 2007
- The appropriation of Prometheus in the writings of thepatriot opposition to Walpole
- William Collins and haplotes
- 2009
- Wordsworth and Collins
- Acting and Performativity in Wilkie Collins’s Armadale
- Thomson's winter, the Ur-text, and the revision of the seasons
- Richard Savage’s Hag
- New verse by Joseph Warton
- Salomon Gessner and Collins's Oriental Eclogues
- William Newton: Anna Seward’s 'Peak Minstrel'
- Shenstone, woodhouse, and mid-eighteenth-century poetics: genre and the Elegiac-Pastoral landscape
- Milton’s 'l’allegro' and Collins’s 'ode on the poetical character'
- Melancholy, mythopoeia and the hymnal impulse
- “Staging” an Anglo-Scottish Identity: The Early Career of David Mallet, Poet and Playwright, in London, 1723–39
- The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode
- Sarah Pearson’s Gothic Verse Tales
- 2008
- Spirituality in the Gothic Novel: Ann Radcliffe’s The Italian (1797)
- The “New” Woman in the Late Eighteenth-Century Novel: Miss Fluart and Coquetry in Robert Bage’s Hermsprong (1796)
- Fielding’s Poet-Patriot and the Miscellanies Poems
- Nineteenth-Century Textuality: Essays in Honour of Paul Bellaby
- David Mallet and Barton Booth
- David Mallet, Anglo-Scot: Poetry, Patronage and Politics in the Age of Union
- Joseph Mitchell (c.1684–1738): Anglo-Scottish Poet
- Joseph Warton’s “Ode to Fancy” and the Descriptive-Allegoric Ode
- Synthesising Difference: Charlotte Brooke’s Reliques of Irish Poetry, the Construction of Ireland and the Politics of the Literary Collection
- 2007
- William Collins’s Odes, Description, and the “Silent Eye”
- William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza
- Rewriting Heroic Tragedy: Samuel Derrick’s “Remarks on Venice Preserv’d”
- Brontë’s Jane Eyre, the Female Detective and the “Crime” of Female Selfhood
- William Collins and the Goddess Natura
- A Poet with a “bad Ear”? Reflections on the Harmony of William Collins’s Ode to Evening
- Special Issue on Eighteenth-century Poetry
- William Collins, Grace and the “cest of amplest power”