Ulrike Müller
No current affiliation with UGent
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Art and domestic space : continuity and change in private collectors’ interiors in Belgium, c. 1830-1930
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Between public relevance and personal pleasure : private art and antique collectors in Brussels, Antwerp and Ghent, ca. 1780-1914
(2019) -
Une collection privée dans l’espace public : la galerie d’Arenberg au XIXe siècle
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Een privécollectie in de publieke ruimte : particulier bezit in het museumtijdperk
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A private collection in the public sphere : the Brussels art gallery in the nineteenth century
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Travel guides and travelogues as sources to examine the collector’s role in art and heritage preservation : the case of Belgium (ca. 1780-1914)
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The amateur and the public sphere : private collectors in Brussels, Antwerp and Ghent through the eyes of European travellers in the long nineteenth century
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Modern domesticity: a total work of art? Interiors of Belgian private art collectors, c. 1850-1920
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Netherlandish stained glass roundels in private collections in nineteenth-century Ghent: display, function and meaning
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Particuliere kunst- en antiekverzamelaars in negentiende-eeuws Gent, door de lens van internationale reisliteratuur
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Belgian private collectors through the eyes of 19th-century tourists: travel guides and travelogues as sources to examine the collector's role in art and heritage preservation (ca. 1790-1914)
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- Journal Article
- A2
- open access
Stained glass and the (re-) creation of an ideal past: the Mayer van den Bergh collection in Antwerp around 1900
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Stained glass and the (re-) creation of an ideal past: the Mayer van den Bergh collection in Antwerp around 1900
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Between personal pleasure and public relevance: private collectors in Antwerp, Brussels and Ghent and the emergence of a national artistic canon 1830-1914
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De privé-verzamelaar als actor binnen de kunsthistorische representatie van het verleden
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Fritz en Henriëtte Mayer van den Bergh
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International alliances, local boundaries: social and professional networks of the nineteenth-century Antwerp art collectors Florent van Ertborn and Fritz Mayer van den Bergh