Academic Bibliography

Search 200 years of publications by Ghent University researchers.

Sophie Doutreligne

Faculty of Arts and Philosophy > Department of Art, music and theatre sciences

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- Miscellaneous
- open access
Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art

Sophie Doutreligne (UGent)

(2022) KONSTHISTORISK TIDSKRIFT. 91(4). p.233-235
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- Book Chapter
Dancing with garments/costumes, masks and space

Maude Bass-Krueger (UGent) , Sophie Doutreligne (UGent) and Christel Stalpaert (UGent)

(2022) Crisis : the avant-garde and modernism in critical modes. In European Avant-Garde and Modernism Studies 7. p.167-206
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Cover to uncover : masked performance and gender in Emmy Hennings' and Sophie Taeuber's Dada dance

Sophie Doutreligne (UGent)

(2021) PERFORMANCE RESEARCH. 26(8). p.91-100
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- Journal Article
- A2
- open access
From critical manifesto to transformative genderplay : feminist Futurist and Dadaist strategies countering the misogyny within the historical avant-gardes

Sophie Doutreligne (UGent)

(2020) DOCUMENTA. 38(2). p.32-62
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Machine (wo)man: genderplay en de metafoor van de machine in Sophie Taeubers performances en het beeldend werk van Suzanne Duchamp

Sophie Doutreligne (UGent)

(2019) DOCUMENTA. 36(1). p.7-31
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- Journal Article
- A2
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Performing with the masquerade : towards a corporeal reconstitution of Sophie Taeuber's Dada performances

Sophie Doutreligne (UGent) and Christel Stalpaert (UGent)

(2019) PERFORMANCE PHILOSOPHY. 4(2). p.528-545
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- Journal Article
- A2
- open access
'He is not a being because he consists of pieces' : de wortels van het gefragmenteerde lichaam en de uitwerking ervan op de scène en het scherm tijdens en na de Eerste Wereldoorlog

Sophie Doutreligne (UGent)

(2012) DOCUMENTA. p.3-39